Juan Peron Returns To Argentina From Exile, 1970s - Archive Film 1000209
May 11, 2026•Channel
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Published2 months ago
Duration9:44
Video IDbjm9mh6mVCI
Languageen
CategoryEducation
PrivacyPublic
Made for KidsNo
Video TypeRegular Video
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Views70
Likes0
Comments0
Engagement Rate0.00%
Likes per 100 views0.00
Comments per 1K views0.00
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This film is available to license from our website at Huntley Film Archives, by searching for film 1000209 in our Film # search bar:
https://www.huntleyarchives.com/
Juan Peron returns from exile. Beef farming. Part of Buenos Aires, Argentina, South America - quite good. Shanty town, industry, motor industry, production line. Student demonstrations. La Noose the president. Documentary on the state of Argentina in 1972 as Peron returns. City view of Buenos Aries. Park. Tanks rolling down Avenue with soldiers. Military trucks with soldiers inside. Four soldiers in a jeep. A driver with his sleeves rolled up, soldiers behind, one smoking. All wear helmets. Group of soldiers march through market. People sanding on the roof of a building. Banners on rooftops. Bus arrives, Juan Peron descends from bus after 17 years of enforced exile. People cheer. He waves to people.
Immense waterfalls. Cowboys or gauchos on horses. Port. Big boats or ships, tiny boats. Buenos Aries port. Stack of cow hides. Hoisting onto ship. Meat hauled onto ship. Wheat in a jute back hauled onto ship. Tug boat. Avenue with a needle in the middle of it. Men and women walk in the market buying fresh goods. Woman with basket into which vendor places fruit. Shanty town with five barefoot children. People hang laundry outside huts. Mother holding baby. Inside hut there are pots and pans mixed up with clothes. Woman feeding baby. Boy eating food with hands.
#history #politics #evita #nostalgia #argentina
Huntley Film Archives is a film library holding tens of thousands of films. The large majority of the films are documentaries. Films cover a wide range of subjects and production dates range from the 1890’s to the 2020’s. As with all libraries we make no judgement on the content of our holdings and make them available for educational purposes for all to see. Films may have content or express opinions some may think inappropriate or offensive, but it is not the work of a library to censor educational resources. Films should be viewed with historical objectivity and within a context relevant to the times in which they were produced